"The Book of Ruth: An Original Graphic Novel"
Alan
and Em discuss the original graphic novel The Book of Ruth, by Meredith Finch & Colin Dyer. The book retells the Old Testament story in the context of the Dust Bowl era. The discussion includes a deep dive into atonement theology, but somehow they manage to reference Babylon 5, Leverage ... and more!
Click on the player below to listen to the episode:
You may also subscribe to the podcast through Apple Podcasts or the RSS Feed.
Link: The Book of Ruth Kickstarter
Link: Meredith Finch on Twitter
Link: The Harry Whodunit Collection
Link: Tomato Bird's Tumblr
We would love to hear from you about this topic, the podcast episode, or the podcast in general. Send e-mail feedback to dorknesstolight@gmail.com
You can follow the network on twitter @DorknessToLight or Alan @ProfessorAlan
Dedicated to wrestling with questions of faith, religion, and theology that arise in comic books and other pop culture media. Occasionally irreverent, rarely sacrilegious. Related to the podcast of the same name.
Showing posts with label Christian comics. Show all posts
Showing posts with label Christian comics. Show all posts
Sunday, July 26, 2020
Sunday, October 8, 2017
Comic Book Review: Martin Luther

Martin Luther lived a very action-packed life, and condensing it into 26 comic book pages is a very difficult task. But this short graphic novel manages to hit all of the high points, and tell the story with the drama that it deserves.
The book rarely stays in one location for more than a few pages, and manages to play scenes in Eisleben, Mansfeld, Erfurt, Augsburg, Worms, Wartburg Castle, Schmalkalden, Torgau, and (of course) Wittenberg.
The book also manages to include as characters a number of Luther's allies, including Justus Jonas, Philipp Melanchthon, and his wife, the wonderful Katharina von Bora.
This is an informative and interesting biography. And considering the pace the story has to move at to cover the highlights, it is also quite entertaining.
The graphic novel may be purchased here, from Amazon.
Source: We picked this graphic novel up at a small store in Wittenberg, when we visited Germany during the Luther 500 celebration, which he talked about on a podcast episode here.
Wednesday, February 15, 2017
Alan's Christian Comic Corner
The
Unforogttens: Mission of Tranquillity #2, Trinity Comic Ministries, 1994. The story, “Of Giants
and Dragons,” was created by Timothy A. Gagnon.

I had a
problem with the quality of the lettering is the first issue, and that problem
exists here, as well. However, there is a two-page feature at the end of the
book that has much better lettering, clearly done via computer. If that was
meant to test a new lettering process, I hope that it continues into the next
issue.
There are
moments of decent art, mostly in individual panels and figures. Yes, some are
drawn in the over-the-top style of the 1990s, but glimpses of artistic skill
are evident. The storytelling aspect of the comic is weak, but that is much
harder skill to learn and develop,

The
series contains two more published issues, and they are on the to-be-reviewed
list.
Tuesday, April 12, 2016
Alan's Christian Comic Corner
The Unforogttens: Mission of
Tranquillity #1, Trinity
Comic Ministries, 1993. The untitled story is created by Timothy A. Gagnon.
I think it started with the Frank
Peretti novel “This Present Darkness,” and its sequel “Piercing the Darkness.”
These were published in 1986 and 1989 respectively. Those books both fed on a
growing interest in spiritual warfare in the evangelical church, and also
contributed to that growing interest. Many evangelical novels and albums of the
era reflected this interest, so a comic book featuring similar content makes
sense.
Three teens are performing a
Satanist ritual in the woods, and summon a demon. They are interrupted by a warrior
of God (called Faith), who appears to be an angel, but is in fact a human who
has been empowered by God to fight Satan and other evils. Two of the three teens
repent of their ways, the demon is expelled, and Faith meets up with two
similar beings. At the end of the issue, an unsuspecting hitchhiker appears to
be kidnapped by demonic forces.
There is one scene in particular
that surprised me. The lead character is Catholic, and his salvation came as a
result of a conversation with a priest, in a confessional. Evangelical publishing
is not known for taking ecumenical stances, so this scene stood out in a
positive way. It had a simple storyline and overly dramatic dialog, but there
were also interesting moments and subtle touches sprinkled throughout. Re-reading
more than two decades after first buying it was not the embarrassing experience
that I had thought it may have been.

This black-and-white book
contains 30 pages of story, which is at least 5 pages longer than most
mainstream stories of the same period. Most comics of his era were priced in
the $1.50 - $2.50 range, so this book’s $1.95 cover price was appropriate. There
were three more issues of this title published, and they are on the
to-be-reviewed list.
Saturday, October 24, 2015
Alan's Christian Comic Corner
The Cross and the Switchblade, Barbour Christian Comics, 1972.
Written, drawn & inked by Al Hartley. Cover by Al Hartley.
This is a comic based on Pastor David Wilkerson’s account of his ministry work among the gangs of New York City in the late 1950s and early 1960s. These efforts were chronicled in Wilkerson’s 1963 book (written with John & Elizabeth Sherrill) of the same name.
The young minister feels called to New York City, specifically seeking out the toughest of the gangs. He eventually is able to befriend Nicky Cruz, the leader of the Mau Mau gang, who becomes a Christian and begins his own ministry. Although not part of this comic, Cruz tells the story of his life, including his interactions with Wilkerson, in his own memoir Run Baby Run.
Al Hartley is a longtime comic book professional, so the technical aspect of the book are competently done. I mention this, because professional competence is not always the case with Christian comics. The biggest problem that this comic has is that even with a full 32 pages of story, there are necessary shortcuts taken in the storytelling. But that is always the case in adapting a 200-page book into a single issue of a comic.
Hartley is most famous for drawing Archie comics, and there were moments in reading that I noted how similar some character looked to characters I’ve seen in Archie comics. But that was a minor issue. One of the oddest aspects is that the book’s most famous scene is on the cover of the comics, but does not take place inside the comic. This is when Wilkerson tells Cruz that even if the gang member cut him into a million pieces, each one would continue to love Cruz. This again speaks to Hartley’s struggle fitting all the material from the book into one issue of a comic, that he has to use the cover to portray the book’s most dramatic scene.
As a comic, the fast pace and Archie-style drawings don’t necessarily age well. Writers of non-fiction also face the burden of their storytelling choices being limited by the actual events being told. But as a 40+ year-old adaptation of a 50+ year-old book, it’s actually … not bad.
Subscribe to:
Posts (Atom)